Her repertoire encompasses staples of the dramatic coloratura and full lyric repertoire, including Mimì (La Bohème) (Metropolitan Opera, New York; New York City Opera; Florida Grand Opera; Hawaii Opera Theater; Central City Opera); the title role in Puccini’s Madama Butterfly (Staatsoper unter den Linden, Berlin), Musetta (La Bohème, Metropolitan Opera, New York); Violetta (La Traviata) (Opera Naples; Opera Carolina; Florentine Opera; Madison Opera; Pacific Symphony; Orlando Philharmonic; Compañía Lírica Nacional de Costa Rica); Magda (Puccini’s La Rondine) (Florida Grand Opera; Teatro Verdi, Trieste, Italy); both Contessa di Almaviva and Susanna (Le nozze di Figaro) (Florida Grand Opera, and Seattle Opera, respectively); both Donna Anna (Madison Opera) and Donna Elvira (Don Giovanni) (New York City Opera; Seattle Opera; Lyric Opera Kansas City); as well as Nedda (I Pagliacci) (New York City Opera; Hawaii Opera Theater; Opera Carolina; Arizona Musicfest); Liù (Turandot) (Lyric Opera of Kansas City; Pacific Symphony; Florida Grand Opera; Austin Lyric Opera); Micaëla (Carmen) (Florida Grand Opera; Central City Opera; Pacific Symphony); Alice Ford (Falstaff) (Virginia Opera); Adina (L’elisir d’amore) (San Antonio Opera); Hanna Glawari (Die Lustige Witwe) (Teatro Nacional de Santo Domingo, Costa Rica); and Anne Truelove (Stravinsky’s The Rake’s Progress) (Théâtro Municipal de Rio de Janeiro, Brasil). Originally from Cuba, Elizabeth Caballero is a citizen of the USA. She speaks fluent English, Spanish and Italian.