Casey
Kunmann

Soprano
Casey Kunmann
(She/Her) A versatile artist, Casey Willassen Kunmann, soprano, is equally at home singing oratorio, chamber music, art song, and musical theatre repertoire ranging from renaissance to contemporary music.
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Biography

Casey Kunmann

A versatile artist, Casey Willassen Kunmann, soprano, is equally at home singing operatic, oratorio, chamber music, art song, and musical theatre repertoire ranging from renaissance to contemporary music. In the 2022-2023 season, Ms. Kunmann will return to the Master Chorale of South Florida as a soloist featured on J.S. Bach’s motets “Lobet den Herrn” and “Jesu meine Freude.” Past solo engagements include the Taylor Festival Choir, Marsh Chapel Choir, the Symphonic Band of the Palm Beaches, and Masterworks Chorus of the Palm Beaches, where she sang as the soprano soloist in Handel’s Messiah. Her operatic experience includes roles in Dido and Aeneas (Belinda,) and scenes from Le Nozze di Figaro (Susanna,) L'incoronazione di Poppea (Virtu,) Carmen (Frasquita,) and Hansel and Gretel (Gretel.) In the 2021 season, she made her company debut with Palm Beach Opera, covering Erster Knabe in Mozart's Die Zauberflöte. This season, she joined GRAMMY nominated Seraphic Fire in the Seraphic Fire Youth Initiative quartet, and she is on the official roster of Boston Baroque. No stranger to contemporary music, Ms. Kunmann was a featured soloist in Robert Kyr’s Resurrection which premiered at Boston University’s Marsh Chapel, as well as Justin Trieger’s “Song of Soil,” which premiered at Brigid Baker’s Wholeproject, “Numinous Land.” Ms. Kunmann holds a B.A. in voice from Palm Beach Atlantic University and a M.M. in Vocal Pedagogy from Boston Conservatory at Berklee.





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Instrument

Soprano