Summer Hassan

SOPRANO

"THE GORGEOUS NOTHINGS"
Ingrid Stölzel
people

Summer Hassan

You are viewing Summer Hassan’s public Stagetime profile. To access the network and connect with Summer, join Stagetime here.
"UND OB DIE WOLKE"
Der Freischütz

Schedule

Mahler 2
Soprano

Chicago Sinfonietta, 2020

Opera Gala
Soprano

Jakarta Simfonia Orchestra, 2020

Biography

Soprano Summer Hassan is an alumnus of LA Opera's Domingo-Colburn-Stein Young Artist Program. She made her company debut in 2014 as the Second Lady in Barry Kosky's Dido and Aeneas. Her LA Opera appearances have also included Ghost Quartet Soprano in The Ghosts of Versailles, Second Lady in The Magic Flute, Dama in Macbeth, Daughter in Akhnaten as well as several roles in Hercules vs. Vampires. She returned to LA opera to sing Virginia in The Canterville Ghost in 2018.

Summer was a semi-finalist at the Metropolitan Opera National Council auditions in 2017 as well as a quarter-finalist in Operalia in 2018.

She made her role debut as Musetta in Wolf Trap Opera’s 2016 production of La Bohème and in recital with Steven Blier at The Barns, and returned to sing roles in Rossini's The Touchstone, Musto's Bastianello and Glass/Moran's The Juniper Tree.

Ms. Hassan made her Carnegie Hall debut as Second Niece in Britten’s Peter Grimes with the St. Louis Symphony, and in 2014 she made her debut as the Second Lady in The Magic Flute with Opera Theatre of Saint Louis where she was a Gerdine Young Artist. Other roles have included Mimì in La Bohème, Betty in The Threepenny Opera, and Vitellia in La Clemenza di Tito. She received her master of music from the University of Cincinnati College-Conservatory of Music and her bachelor of music from the Oberlin Conservatory.
"In a welcome departure from the usual wan, precious renditions of this aria, soprano Summer Hassan's ample lyric voice soared powerfully and regally in an ardent declaration of love and devotion. Chausson’s Chanson perpétuelle, in a piano and string quartet arrangement, benefited from the delicate shades and colors from the musicians as well as Ms. Hassan’s superb feeling for the French text..."
— Classical Voice

Media