Erin Moll

MEZZO-SOPRANO

Erin Moll

(She, her) Mezzo soprano Erin Moll, hailed for her “fearless intensity” (Chicago Classical Review) and “intensely valid vocalism” (Voce di Meche), is an up-and-coming young artist who brings dynamic stage presence and sincere musical artistry to the operatic and concert stage. Recent highlights include debuts at Opera San Jose, Unison Media / Death of Classical, and return performances at Opera Louisiane and Bronx Opera.

Fort Worth Opera
Jennifer Rowley Masterclasses, 2020
Opera San José
Ines | Il Trovatore , 2020
Unison Media
Second Witch | Dido & Aeneas, 2019
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Erin Moll
is self-managed

Schedule

Sponsored by Queen...
Concert

Heroes & Villains, 2021


Sponsored by Queen...
Concert

When Art Speaks, 2021

Competition
Semi-Finalist

Lyra New York, 2021


Il Trovatore
Ines

Opera San José, 2020

Dido & Aeneas
Second Witch

Unison Media | Death of Classical, 2019

Masterclass Series...
Performer

Fort Worth Opera, 2020

The Mikado
Pitti-Sing

Bronx Opera, 2019

The Consul
Secretary

Bronx Opera, 2019

HMS Pinafore
Cousin Hebe

Opera Louisiane, 2018

The Mikado
Pitti-Sing

Northwest Indiana Symphony Orchestra, 2017

Carmen
Carmen

Open Door Theater Chicago, 2017

Il Barbiere di Siv...
Rosina (cvr)

Natchez Festival of Music, 2017

The Mikado
Pitti-Sing

DuPage Opera Theater, 2017

Cenerentola
Tisbe

Opera Louisiane, 2016

Competition
Semi-finalist

Premiere Opera Foundation + NYIOP, 2020

Don Giovanni
Zerlina

/kor/ productions, 2020

Biography

Mezzo soprano, Erin Moll, hailed for her “fearless intensity” (Chicago Classical Review) and “intensely valid vocalism” (Voce di Meche), is an up-and-coming young artist who brings dynamic stage presence and sincere musical artistry to the operatic and concert stage. Praised by Chicago Stage Standard for her "creamy" voice, Ms. Moll is quickly establishing herself as a young artist to watch on the national scene.

The winter of 2020 marks her debut at Opera San José, performing and covering the role of Ines in Verdi’s Il Trovatore. Recent highlights include Dido and Aeneas in Death of Classical / Unison Media’s production taking place in the catacombs of Greenwood Cemetery. Ms. Moll was seen portraying the Second Witch alongside Daniela Mack in the title role. Her performance was lauded by OperaWire as “delightfully wicked” and by the Wall Street Journal as “comical yet deadly.”

Recent portrayals include Cousin Hebe (HMS Pinafore) and Tisbe (La Cenerentola) with Opera Louisiane, Rosina (cover, Il Barbiere di Siviglia) at the Natchez Festival of Music, Pitti-Sing (The Mikado) at DuPage Opera Theater, Northwest Indiana Symphony Orchestra and Bronx Opera, and Secretary (The Consul) also at Bronx Opera. She also starred in the Chicago Premiere of Sumeida’s Song with Third Eye Theater Ensemble to critical acclaim. In 2017, she was heard creating the role of Austin on the World Premiere recording of The Great God Pan released on Naxos America to which she was hailed as “a remarkably agile singer” (Fanfare Magazine.) That same year, she made her debut at the Ravinia Festival.
"Erin Moll brought fearless intensity to the bitter, unhinged Asakir, a kind of Mommy Dearest of the desert. The young mezzo-soprano threw herself into the demanding role singing with volatile commitment."
— Chicago Classical Review

Media