Virgil Thomson & Gertrude Stein
Ariadne auf Naxos
(she/her/hers) Noted by The Wall Street Journal for her “opulent, Wagner-scaled soprano” and acclaimed by The New York Times as the “lustrous, commanding soprano,” Felicia Moore is recognized by Opera News as “a genuine jugendliche dramatische soprano of exciting potential (and present accomplishment).”
is represented by
The Metropolitan Opera, 2021
National Arts Centre Orchestra, 2021
Baltimore Symphony Orchestra, 2021
Danish National Symphony Orchestra, 2020
Metropolitan Museum of Art / New York Philharmonic, 2020
Arizona Opera, 2020
Felicia Moore makes her Metropolitan Opera debut as Anna in Nabucco in the 2020-21 season and has been engaged by Opera Maine to make a role debut as Senta in Der fliegende Holländer. She was engaged for symphonic performances in the season with the Baltimore Symphony Orchestra, Colorado Symphony, Danish National Symphony Orchestra, Indianapolis Symphony Orchestra, and Los Angeles Chamber Orchestra among others.
Highlights of last season include the role of Susan B. Anthony in The Mother of Us All at the Metropolitan Museum of Art as a part of Project 19, the New York Philharmonic’s multi-season initiative marking the centennial of the 19th Amendment, which guarantees women the right to vote in the United States, the title role of Lady M in an online fantasia of Verdi’s Macbeth with Heartbeat Opera, and her first appearance on the roster of the Metropolitan Opera covering First Lady in The Magic Flute. Symphonic performances included Verdi Requiem with the National Arts Centre Orchestra and an Opera Gala with the Bergen Philharmonic. She was engaged for performances in the title role of Ariadne auf Naxos with Arizona Opera and for Beethoven’s Ninth Symphony with the San Diego Symphony.
— New York Times