Evan Hammond

BARITONE

"TOWER SCENE"
Pelléas et Mélisande
people

Evan Hammond

(He/Him/His) Baritone Evan Hammond is quickly gaining attention at the national level and has established himself as a versatile performer in both opera and musical theatre.

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"LARGO AL FACTOTUM"
Il barbiere di Siviglia
"SPRING TORRENTS"
Rachmaninoff
"TOWER SCENE"
Pelléas et Mélisande
Evan Hammond
is represented by
Justin Werner
Stratagem Artists

Schedule

Don Giovanni
Masetto

Festival Lyrique-en-mer, 2021


Man of La Mancha
Dr. Carasco

Shreveport Opera, 2019

Candide
Captain

Des Moines Metro Opera, 2019

Eugene Onegin
Eugene Onegin

The Turner-Fischer Center for Opera at Louisiana State University, 2018

Platée
Un Satyre

Des Moines Metro Opera, 2020

Fellow Travelers
Tommy McIntyre

Des Moines Metro Opera, 2020

Le nozze di Figaro
Count Almaviva

Shreveport Opera, 2020

Biography

Baritone Evan Hammond is quickly gaining attention at the national level and has established himself as a versatile performer in both opera and musical theatre. Mr. Hammond recently made his Des Moines Metro Opera debut as The Captain in Candide as well as covering the role of Maximilian, and was scheduled to return to the mainstage in 2020 to sing the role of Un satyre in Rameau’s Platée and Tommy McIntyre in Gregory Spears and Greg Pierce’s Fellow Travelers (all canceled due to COVID-19). In 2020, he was scheduled to make his role and company debut as Count Almaviva in Le nozze di Figaro with Shreveport Opera (canceled due to COVID-19), where he also performed as the Duke in The Man of La Mancha. This fall, Mr. Hammond looks forward to making his role debut as Figaro in Opéra Louisiane’s digital production of Il barbiere di Siviglia and in the summer of 2021, he will make his European debut as Masetto in Don Giovanni with the Festival Lyrique-en-mer.

Other notable performance credits include Le Mari in Les Mamelles de Tirésias, the title role in Eugene Onegin, and John Cree in Elizbeth Cree by Kevin Puts and Mark Campbell, all with Louisiana State University. Additional favorites include The Gamekeeper in The Cunning Little Vixen, Marcello in La bohème, Mercutio in Roméo et Juliette, and Papageno in The Magic Flute. An excellent interpreter of new opera, Mr. Hammond performed the role of Tampico in the North American premier of Charles Lucien Lambert’s La Flamenca with Opera Creole of New Orleans in 2017, and that same year he placed second in the National Association of

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