rene orth

COMPOSER

"JABBERWOCKY"
Rene Orth
people

rene orth

(She/Her/Hers) Rene Orth is a composer that "breaks new ground" (Opera News), writing music described as “...always dramatic, reflective, rarely predictable, and often electronic” (Musical America). Her music focuses on dramatic and lyrical storytelling, and she takes a keen interest in blending electronic soundscapes with acoustic music.

Opera Philadelphia
Empty the House, May-19
Tapestry Opera
Composer, Digital Creative Intensive, Aug-Sept/2020
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"CONUNDRUM"
Rene Orth

Biography

Rene Orth is a composer that "breaks new ground" (Opera News), writing music described as “...always dramatic, reflective, rarely predictable, and often electronic” (Musical America). Her music focuses on dramatic and lyrical storytelling, and she takes a keen interest in blending electronic soundscapes with acoustic music. She recently completed her three-year tenure as Composer-in-Residence for Opera Philadelphia.

Her work has been performed by a variety of opera companies and orchestras, including Berkeley Symphony, Louisville Orchestra, Summerville Orchestra, New World Symphony, Julliard Youth Symphony, Festival d’Aix en Provence, Opera Philadelphia, Tapestry Opera, Fort Worth Opera, and Washington National Opera, and Curtis Opera Theater. She has collaborated with notable artists and ensembles such as the Del Sol, Dover and Aizuri Quartets, Countertenor Anthony Roth Costanzo, Mezzo-Sopranos Daniela Mack Shrader and Blythe Gaissert, Seraph Brass, Rock School of Dance, and Pennsylvania Ballet.

Recent distinctions include an OPERA America Commissioning Grant and Discovery Grant for Female Composers, American Composers Forum Subito Grant, and Kentucky Foundation for Women Artist Enrichmnet Grant. She has been in residence at Festival d’Aix en Provence, Yaddo, Virginia Center for Creative Arts, the Orchard Project Greenhouse, Avaloch Farm Institute, Tapestry Opera, Lake Champlain Music Festival, and Luzerne Music Center.

www.reneorth.com
“RENE ORTH writes music that bridges the gap between acoustic and electronic, industrial and lyrical, cutting edge and classical...”
— Opera News
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