Duncan
Holzhall


Freelance

Managerial Assistant/Contracts Manager

Ambitious and driven writer and cultural entrepreneur dedicated to discovering contemporary outlooks in traditional art forms. Duncan brings experience in artist management, opera leadership and programming, arts writing, artist relations, radio programming, and arts marketing to the table.

You are viewing Duncan Holzhall’s public Stagetime profile. To access the network and connect with Duncan, join Stagetime here.

Duncan is connected to Jennie Moser, Gretchen Krupp, and 28 more

Notable Affiliations

Indiana University Jacobs School of Music
Bachelor's of Science in Voice Performance and Arts Management, 2017-2021
Current Position(s)
Freelance
Contributing Writer

Creating music-oriented content and criticism for publications including but not limited to Opera Innovation, Indie Shuffle, WIUX, and The Amplifier.
Previous Experience
Cincinnati Opera
Cincinnati, OH
Artistic Intern/Interim Supernumerary Captain

2019

Duties included: Provide/coordinate artist transportation and housing Assemble welcome packets for artists and seasonal staff Communication of daily schedule to artists and production staff Errands for artistic and production departments Coordinate comp ticket needs for artistic department Artist hospitality off-site and in-house General clerical and logistic support for artistic and production departments
Interdisciplinary Network of Students in Music
Montreal
VP Event Planning and Promotion

1

Serving as a senior member of the organization; creating a strategic plan for the organization; brainstorming, scheduling, and coordinating events; curating and disseminating a monthly newsletter; writing promotional copy for traditional and social media; reaching out to potential interested parties/clients for partnerships and collaborations; and providing guidance on the well-being of the organization.
Freelance Contributing Writer

About Duncan



Notable Projects

"Voices of Tomorrows Songs"
Self-Published

Book

This book serves as a vision statement for American opera according to the young people who are going to take it over. Comprising interviews with several young professionals from all aspects of the creative process, the book also contains recommendations for opera companies to implement now to ensure a sustainable model for opera going into the future. I want to thank all of the people who I interviewed for this project, for their insight was truly spectacular. Plus, with the addition of informational annotations throughout, the language of this book is accessible to everyone regardless of their experience with opera! In a time where everything is up in the air, this book hopefully will provide the industry with suggestions to lay a stronger foundation for the future.